Mr Stephen M Campbell – 21st Century Northern Artist – making paint, designing and installing unusual spaces and projects from The Puzzle Factory.
We have the vast interconnected world at our fingertips and we are looking at it through tiny pin holes. We can hold our world in one hand, but only see it pixel by pixel.
The Puzzle Factory
The Puzzle Factory is my studio in Eccles. It is part experimental paint laboratory, generative art studio, collaboration space, project incubator.
The ideas and motivations and ethos of the studio have been developed from the studios and networks that brought me here.
My first job was designing and printing T shirts for a punk record label at the Coliseum in Manchester as a teenager. Still a teenager I started taking commissions for paintings and attended Manchester School of Art studying Interactive Arts.
Manchester
Later superseded by School Of Digital Arts, Interactive Arts embraced contemporary practices in Art Design and Technology teaching technical skills and theory in all aspects of visual arts and having an awareness of the environmental impact. The most famous alumnus at currently being Ryan Gander. My projects involved designing and building furniture from recycled metal, collaborating with musicians and autonomous instruments. Editions of etchings in collaboration with Chetham’s Library, making videos, books and oil paintings.
Barcelona
I spent an Erasmus exchange in the Okupas of Barcelona where I learned to be independent and work within a network. I collaborated with punk artists and performers throughout Barcelona’s anarchist networks. The culture of punk, of not being afraid to try, to share opportunities and be resourceful has been at the heart of my practice
Poland
Free for Arts, Polish DeConstruction, Krakow, Torun
London
While in London I was a tenant of Bridget Riley at Space studios. Though we never met she introduced me to Stravinsky’s Poetics of Music lectures.
I worked for a network of gallery owners artists and antique dealers around Shoreditch and Islington
Salford
Islington Mill
From Space
The Merz Barn
Damien Hirst
Clark Art
Northern Art
Mathematical Art
Generative Art
The UK Government
Hepplestone’s Fine Art

This is a photo from outside the studio, the fence in the foreground is made from piano harps, the hazel was from the woodland trust following the death of Queen, the bench and table are made from scaffolding boards with no screws.
Hello Stephen,
I saw you painting Monroes and I asked you to go to Ancoats Dispensary vigil and paint it. I was pleased when I heard you did but it has been quite a while before I discovered your painting on the website. Thanks so much. It is lovely ..the angle -the street bricks and sleepers – and the gothic windows behind the scaffolding. I wonder if I got it put onto a post card ,with our website and yours could we sell it to raise money for the structural engineers survey.? Do you work from home. Why do you make own paints.? Is it cheaper. We are having art ex and social. Perhaps you can come to both and display the original . Has nick been in touch. Best wishes Jill
I miss you Jill. I saw that you left beautiful patterns in all the people you met. You live on within us.
Hi Stephen
I eventually found my way to ClarkArt gallery and the chance to see this great exhibition. I especially like st James building painting which is on the back cover of the Northern Art catalogue Past and Present. Lovely weather for painting (and running) today.
Hi Stephen,
Good to meet you and have a chat this evening at the Buxton Spa Prize preview. I enjoyed watching your video profile. Some the things you said make more sense now. Interesting that your grandfather was a chemical engineer. You seem to have an appreciation for the magic of chemistry through preparing and working with the components of paint. I like the use of the pipette! As I mentioned I have had a go a mixing my own paint. I studied chemistry at degree level for a year at Sheffield Uni before deciding that I wanted to study art instead which eventually led me to study sculpture at Manchester. There is something about working with paint that taps into the magical side of chemistry – it’s a kind of alchemy for me.